Edward Land.

Surrogate Cabaret: 1a Trailer

Written/ Directed by: Edward Land.

Produced by: Edward Land 
Alexander Winterbotham.


Production Company: Atrocity Lane Productions, London.

Production Type: Independent Short Film.

Genre: Surrealist, Psychological Horror.

Release Date: April 2012 (TBC)



Logline: Boy meets girl in the sober light of yesterday, while the memory plagues and haunts him today. A surrealist, psychological horror mixed with gothic Neo-Noir and Hitchcock- inspired suspense.

Surrogate Cabaret: 1a is a one-character monologue journeying into psychologically twisted and confused mindset of an unnamed male character (MC). Dealing with the savage recollection of a series of humiliating events from the previous night, Surrogate’s anti-hero withdraws to the confinement and security of the four walls around him.

Sat alone, deep in consideration and staring out of the window, MC’s distraction shifts to six levers that are positioned in front of his seat. Outside a distant bell chimes, this is the signal he has been waiting for. Grabbing hold first of the third lever, MC pulls it to the ground and returns it to its upright position, before doing the same to the second.

Distracted by the outside world he catches his reflection in the windowpane and starts recounting the series of events of a chance encounter with a mysterious young girl. Overwhelmed by her innocence, her beauty and accessibility, MC struggles to stay composed fearing any sign of invitation will no doubt be misinterpreted and potentially threatened.

Against his best efforts, MC is forced to acknowledge the mystery girl and unable to control his inner desires, he is forced to witness his actions as if through the eyes of another. Obediently obeying the haunting voices, MC attempts to physically restrain the girl with the hope of obtaining her cleansing powers.

In conflict with the girl, MC struggles for control as the mystery girl fights for her life, during moments of clarity success seems possible, but his physical deformities make it near impossible to keep hold of her. Consumed by moral compassion MC starts to sympathise with the vision of venerable beauty he sees in front of him, seizing her opportunity the mystery girl reverses her role as victim, for executor.

During his captivity at the hands of the mystery girl, MC is forced to live between the recollection of past memories and the remembrance of the present. As the memories become clearer and more frequent the two realities start to merge and the line between them becomes less apparent. Soon MC is unsure whether one is holding him captive or three; the image of his mother and sister distort his impression of the mystery girl and he is transported back to the adolescent conditioning of his youth.

Comparing his predicament and behavior as a result of his upbringing MC witnesses the life and evolution of a series of tiny stalagmites formed from his spilt blood, clotting on the floor. Unable to see past his own predicament MC compares his own existence to that of the inanimate subjects formed from his blood.

“I sympathised with those small pointless creation, it was my blood and my memory which created them. Time had robbed them of their chance, fate denied their obvious potential.”

A forceful application of the young girls foot to MC’s sternum awakes him fully to his present situation, the psychical pain now inflicted upon him forces the relative security of his room back into focus. With no physical indication that anything of the memory has occurred, MC once again returns his focus to the outside world.



Crew

Dir. Edward Land.

DOP. Eugene Magee.

Prod. Alexander Winterbotham.

Edit. Edward Land.

Comp. Chris Davis.


Websites

http://www.sponsume.com/project/surrogate-cabaret-1a

http://www.facebook.com/profile.php?id=100003390368486

Surrogate Cabaret: 1a Trailer Stills

Writer/ Director: Edward Land.

Producer: Edward Land & Alexander Winterbotham.

Production Company: Atrocity Lane Productions, London.

Production Type: Independent Short Film.

Surrogate Cabaret: 1a (sponsume Link)

Writer/ Director: Edward Land.

Producer: Edward Land & Alexander Winterbotham.

Production Company: Atrocity Lane Productions, London.

Production Type: Independent Short Film.

Surrogate Cabaret is a small independent project with big ambitions. We are aiming to create a unique film with the best crew and we ask for your help to realise this dream.

This Film will be shot in one location in mid-March, over the course of two days. Our budget will cover equipment rental, set design, props, travel expenses, as well as post-production costs and festival entries.

This is a project of passion for all those involved and we have been able to secure a fantastic team who has consented to work free of charge. The aim of this short film is to create a piece which looks professional, cinematic, individual and thought-provoking, which will have a long life on the global film festival circuit and prove to be a strong calling card for all those involved in the production.

All help will be greatly appreciated. Just taking the time to read this ad, we sincerely thank you. Please tell as many as you can about this project, a film is nothing without its audience.

“Rendition” Group Exhibition:
Rendition, Chapel Arts Studio, Andover, Uk.
Private View: Thursday 3rd October 7pm- 10pm
Open: 3rd- 5th October 2011.
“The exhibition space becomes an area of theatrical discourse and a merger between active creation and passive observation. The viewer is presented with components of narrative and is left to put the pieces together themselves. As work crosses over, new compositions arise, shifting possible interpretations.”
Rendition brings together a collection of contemporary artists to create an environment for narrative exploration. The elements of theatre slide into the exhibition environment; as stage structure sculptures, sound and lighting construct an encompassing installation. A story unfolds through the performances of two monitors as they scuttle through components that, operating within out of sync cycles, construct a generative stream of possibilities.

Features Artists:
Alessandra Cattaneo
Edward Land (with Luke Skinner)
Tom Mortimer
Jeff Phegley
Marius Von Brasch
 Curated by Tom Mortimer.


 Chapel Arts Studios,
St Mary’s Church, Andover, Hampshire, UK.

 http://www.chapelartsstudios.co.uk/contact.html
http://www.facebook.com/pages/10-Days-Winchester/101767636598236 
http://www.facebook.com/event.php?eid=216661128399799&ref=ts

“Rendition” Group Exhibition:

Rendition, Chapel Arts Studio, Andover, Uk.

Private View: Thursday 3rd October 7pm- 10pm

Open: 3rd- 5th October 2011.

The exhibition space becomes an area of theatrical discourse and a merger between active creation and passive observation. The viewer is presented with components of narrative and is left to put the pieces together themselves. As work crosses over, new compositions arise, shifting possible interpretations.”

Rendition brings together a collection of contemporary artists to create an environment for narrative exploration. The elements of theatre slide into the exhibition environment; as stage structure sculptures, sound and lighting construct an encompassing installation. A story unfolds through the performances of two monitors as they scuttle through components that, operating within out of sync cycles, construct a generative stream of possibilities.

Features Artists:

Alessandra Cattaneo

Edward Land (with Luke Skinner)

Tom Mortimer

Jeff Phegley

Marius Von Brasch

 Curated by Tom Mortimer.

 Chapel Arts Studios,

St Mary’s Church, Andover, Hampshire, UK.


 http://www.chapelartsstudios.co.uk/contact.html

http://www.facebook.com/pages/10-Days-Winchester/101767636598236

http://www.facebook.com/event.php?eid=216661128399799&ref=ts

“A Petticoat Lobotomy.”

Video: Edward Land.

Audio: Edward Land & Luke Skinner.

Year: 2011 (June).

Synopsis-

 The inexcusable portrayal of the political conditioning of A Clockwork Orange fused with the entrepreneurial delinquent violation of Eraserhead.

 A Petticoat Lobotomy opens fairly abruptly with what may be the films conclusion; a voice over from an unnamed character introduces the audience to an uninhabited isolated environment, where we are lead to believe that a struggle may have taken place, by whom or with what is left unclear. The detached narration leads through the opening sequence offering a vague and ambiguous introduction into the psyche of the unidentified character; hinting at the possibility of what is to come, or what has past.

A title card reading “Epilogue (or once upon a time)” assumes or indicates the start of Act 1. The setting recognizable from the opening sequence begins to expand the narrative; the tone has changed from a strained interrupted reminiscing thought to a stream of free association portrayed as diary or journal entries from the perspective of the films protagonist. As Act 1 continues the delusion and confusion of the unnamed character begins to become evident, title cards read quotes that indicate another level of awareness in the progression of the story. Dream logic in narrative flow is used in Act 1 to symbolize the fine line between insanity and reality or the vague control of the conscious and subconscious of the human condition adding to the uncertainty of the protagonist’s fate.  

Unexplained objects that appear to have some importance to the films character are juxtaposed against images which hint at memories of past or premonitions of forthcoming events, whether this is for the benefit of the audience or visualized in the mind of protagonist is unknown, it does however offer suggestion or reason for the mental and physical condition of the character as it deteriorates through the progression of the scene.

A definition title card introduces Act 2 in place of an exterior shot indicating or suggesting that a change in environment has occurred whilst illustrating the reason for the change of setting and offering a suggestion of a past era. Through a change in camera perspectives, alternating between first person and third the separation between protagonist and environment is evident, the intimacy has now been lost between the two and realization of the impending situation begins to manifest itself within the mind of the protagonist. The non-linear narrative of Act 2 suggests that time has become warped or undecipherable and that reality is unclear. The reason for this violation once again is left indistinct; is it for the sanity of the human condition, preservation of a society or a ruthless backstreet market dealing in the production and sale of anatomical waste material.

With the protagonists fate sealed or ambiguously implied the setting once more resorts back to that of the opening scene, this we are lead to believe deals with the characters consequence after the procedure. This time however there is a clear divide between character and surroundings and a divide within the internal infrastructure of the characters mind, portrayed by the contrast of external view points and internal visual montages and spoken monologues. Broken up by arrangement and similar to Act 2, time once more has become distorted and fragmented reflecting that of the characters psyche.  Act 3 contains an undercurrent of melancholy, through which the protagonist attempts to find reason for his ordeal and forgiveness for his tormentors while attempting to become accustomed to this new way of conditioning.

As the film ends it is unclear whether the opening sequence was in fact the end of the film; whether the narration which accompanied it was post-humorous or whether the sequence would in fact appear chronologically after the last scene, however as Act 3 intensifies into the climax of the sudden and abrupt ending, the fate of the film’s protagonist is left to be decided in the mind of the observer.

Cast & Crew-

 Edward Land: Director, Producer, Editor, Sound & Audio Composer, Actor.

 Luke Skinner: Audio Composer, Advisor, Actor.

 Robert Fillary: Advisor, Actor.

 Christiana Perdiou: Actor.

Production Company-

 Atrocity Lane Productions, London, UK.

 Self Financed (Edward Land).

Featured in-

Seize (Summer Show), Bargehouse, London, UK.

15th- 17th July 2011.

Make/ Shift (Degree Show), Winchester School of Art, Winchester, UK

16th- 23rd June 2011.

“Seize” Group Exhibition:

Seize (Summer Show), Bargehouse, London, UK

15th- 17th July 2011.

Bargehouse Floor 2, Room 8.

Private View: Thursday 14th July.

“Seize” Group Exhibition:

Seize (Summer Show), Bargehouse, London, UK

15th- 17th July 2011.

Bargehouse Floor 2, Room 8.

Private View Images: Thursday 14th July.


“A Petticoat Lobotomy.”
Video: Edward Land.
Audio: Edward Land & Luke Skinner.
Year: 2011 (June).
Featured Sites:
http://www.gestion.xproduits.com/tag/a-dre+productions+journal/1
http://how-to-study-the-bible.trevorz.us/2011/06/28/a_petticoat_lobotomy_with_end_credits_june_22nd_002-untitled_mpeg-4-mp4/
http://www.123people.co.uk/s/edward+land
http://www.ecombase.de/PRO-RC-PANZER//0/tag/audio%20narration/8.html
http://en-sg.oscarseek.com/item/Go+Ask+Alice+Quotes
 

“Seize” Group Exhibition:

Set up Images- July 13th 2011.

Seize (Summer Show), Bargehouse, London, UK

Private View: Thursday 14th July 6pm- 8.30pm

Open: 15th- 17th July 2011. 11am- 6pm

“Seize” Group Exhibition:
Seize (Summer Show), Bargehouse, London, UK.
Private View: Thursday 14th July 6pm- 8.30pm
Open: 15th- 17th July 2011. 11am- 6pm
SEIZE brings together a group of recent Fine Art graduates from  Winchester School of Art and presents a dynamic new exhibition  encompassing all elements of contemporary fine art practice with an  extra twist.
 …Given the current economic climate, with growing pressure on student  finances and cuts to the creative industries, SEIZE presents an  exhibition intent on challenging capitalist modes of production in an  exciting and enjoyable and most importantly free way. This is an  exhibition where visitors are invited to walk away with some of the art,  where drinks are free of charge and where impromptu performances and  interactive artworks will take place with no remuneration needed.

The Bargehouse
Oxo Tower Wharf, Bargehouse Street, London, SE1 9PH.
www.2011seize.tumblr.com
www.facebook.com/mobileprotection#!/event.php?eid=137117776362552

“Seize” Group Exhibition:

Seize (Summer Show), Bargehouse, London, UK.

Private View: Thursday 14th July 6pm- 8.30pm

Open: 15th- 17th July 2011. 11am- 6pm

SEIZE brings together a group of recent Fine Art graduates from Winchester School of Art and presents a dynamic new exhibition encompassing all elements of contemporary fine art practice with an extra twist.


…Given the current economic climate, with growing pressure on student finances and cuts to the creative industries, SEIZE presents an exhibition intent on challenging capitalist modes of production in an exciting and enjoyable and most importantly free way. This is an exhibition where visitors are invited to walk away with some of the art, where drinks are free of charge and where impromptu performances and interactive artworks will take place with no remuneration needed.

The Bargehouse

Oxo Tower Wharf, Bargehouse Street, London, SE1 9PH.

www.2011seize.tumblr.com

www.facebook.com/mobileprotection#!/event.php?eid=137117776362552